Watch this episode of “State of the State”, where host Richard August interviews Varnum Continentals President Patrick Donovan about moving of two American Civil War cannons from the Rhode Island State House to the Varnum Memorial Armory Museum, where they are now on display for the public.

This move took place on August 5 and 6, through the efforts of several volunteer. Each cannon brings with it historically important stories about the cannons themselves and the battles they served in, the men associated with each, lives lost, and much more. Pictures of the cannons and the Rhode Island men associated with these two cannons are shown.

It took some work at the Varnum Memorial Armory Museum, but the Bull Run cannon’s gun tube is finally free of packed trash. We tried compressed air and plumbing augers, but what worked (with a lot of effort) was an American Civil War-period artillery worm! An unconventional use of an historic artifact, perhaps, but it got the job done. This is perhaps the first time the cannon had been wormed since the Battle of Bull Run on July 21, 1861.

The packed trash itself is a time capsule, including an empty pack of cigarettes from the early 1900s. Here’s what one source said about them:

“In the early 1900s, manufactures of Turkish and Egyptian cigarettes tripled their sales and became legitimate competitors to leading brands. The New York-based Greek tobacconist Soterios Anargyros produced the hand-rolled Murad cigarettes, made of pure Turkish tobacco. P. Lorillard acquired the Murad brand in 1911 through the dissolution of the Cigarette Trust, explaining the high quality of the Murad advertisements in the following years.

Murad, along with other Turkish cigarette brands referenced the “Oriental” roots of their Turkish tobacco blends through pack art and advertising images. They also capitalized on the Eastern-inspired fashion trends of the time, which were inspired by the Ballets Russes (1909-1929) and its performance of “Scherazade.” The vibrant colors, luxurious jewels, exoticism and suggestive nature of the images in these advertisements contributed greatly to their appeal.

Women drenched in pearls, jewels and feathers, wearing harem pants or flowing dresses, were paired in the ads with men in expensive suits or in exotic turbans. The Orientalism, exoticism and luxury are evoked through Eastern-inspired garb accentuated the Turkish origins of the tobacco and presented it in an alluring, modern light. Indeed, the women in these ads, in particular, is seen as less of a reflection on Victorian femininity than a fantasy of an exotic enchantress from a foreign land or a modern woman shedding the shackles of Victorian propriety.”